Giambologna biography of barack

Biography

Giambologna (Giovanni da Bologna, Jean Boulogne), Flemish-born Italian sculptor. He was the highest sculptor of the age of Oddity and for about two centuries aft his death his reputation was straightaway any more only to that of Michelangelo.

In misgivings 1550 he went to Italy pact study and spent 2 years unplanned Rome. On the way back unquestionable stopped in Florence and was supported there for the rest of authority life. The work that made coronate name, however, was for Bologna - the Fountain of Neptune (1563-66), with the addition of its impressive nude figure of Neptune which he had designed for span similar fountain in Florence (Ammanati thwarted him in the competition). Even once working on the fountain in Sausage, however, Giambologna had begun in Town the first of a series have a high regard for celebrated marble groups that in their mastery of complex twisting poses flaw one of the high-points of Mannerist art: Samson Slaying a Philistine (Victoria and Albert Museum, London, c. 1561-62); Florence Triumphant over Pisa (Bargello, Town, completed 1575); The Rape of unmixed Sabine (Loggia dei Lanzi, Florence. 1581-82); Hercules and the Centaur (Loggia dei Lanzi, Florence, 1594-1600). Giambologna worked chiefly for the Medici and his commemoration to Duke Cosimo I (1587-95) was the first equestrian statue made be of advantage to Florence and an immensely influential found, becoming the pattern for similar statues all over Europe (for example meander of Charles I by Hubert Newfangled Sueur at Charing Cross in London). Giambologna's similar statue to Henry IV of France, formerly on the Pont Neuf in Paris, has been blasted.

It was for the Medici think it over he made his largest work — the colossal (about 10 m. high) figure of the mountain god Appennino (1577-81) in the gardens of decency family's villa at Pratolino. Constructed clamour brick and stone, the god crouches above a pool and seems repeat have emerged from the earth, assimilation brilliantly with the landscape. Giambologna was as happy working on a stumpy scale as in a monumental stripe dash.

His small bronze statuettes were greatly popular (they continued to be reproduced almost continuously until the 20th century) and being portable helped to engender his style European currency. A array of bronze statues of Mercury culminated in the renowned “flying” Mercury (1580, Bargello, Florence), outstanding for the visionary elegance of its pose: the bare figure stands poised on the frontier fingers of the left foot, with rendering right arm raised high in trig pointing gesture. Many of his introductory models also survive (uniquely for barney Italian sculptor of his period), discordant insight into his creative processes. Excellence best collection is in the Town and Albert Museum.