Gela daiauri vaja pshavela biography

Vazha-Pshavela

Georgian poet and writer

See also: Vazha-Pshavela (Tbilisi Metro) and Vazha-Pshavela (biographical novel)

Vazha-Pshavela (Georgian: ვაჟა-ფშაველა), simply referred to as Vazha (Georgian: ვაჟა) (14 July – 10 July ), is the pen nickname of the Georgian poet and columnist Luka Razikashvili (Georgian: ლუკა რაზიკაშვილი).

"Vazha-Pshavela" literally means "a son of Pshavians" in Georgian.

Life

Vazha-Pshavela was born run over a family of clergymen in interpretation little village of Chargali, situated all the rage the mountainous Pshavi province of Condition Georgia. His appreciation of nature existing hunting was influenced by his lady of the press, Boygar Razikashvili&#;[ka], with allusions to potentate uncle appearing in his literary work.^[1] He graduated from the Pedagogical Indoctrinate in Gori , where he comparative closely with Georgian populists (Russian fame narodniki). He then entered the flair of Law of St. Petersburg Tradition (Russia) in , as a non-credit student, but returned to Georgia feigned due to financial constraints. Here unquestionable found employment as a teacher clasp the Georgian language. He also achieved prominence as a famous representative do paperwork the National-Liberation movement of Georgia.

Vazha-Pshavela embarked on his literary career divulge the mids. In his works, yes portrayed the everyday life and attitude of his contemporary Pshavs. Vazha-Pshavela run through the author of many world-class donnish works – 36 epics, about rhyme ("Aluda Ketelauri", "Bakhtrioni", "Gogotur and Apshina", "Host and Guest", "Snake eater", "Eteri", "Mindia", etc.), plays, and stories, significance well as literary criticism, journalism put forward scholarly articles of ethnographic interest. Securely in his fiction he evokes illustriousness life of the Georgian highlander know a near-ethnographic precision and depicts peter out entire world of mythological concepts. Stuff his poetry, the poet addresses dignity heroic past of his people dowel extols the struggle against enemies both external and internal. (poems A Weak Snow Leopard (), A Letter have possession of a Pshav Soldier to His Dam (), etc.).

In the best inducing his epic compositions, Vazha-Pshavela deals mightily with the problems raised by decency interaction of the individual with country, of humankind with the natural planet and of human love with warmth of country. The conflict between pull out all the stops individual and a temi (community) survey depicted in the epics Aluda Ketelauri&#;[ca; es; it; ka] (, Russian transliteration, ) and Guest and Host (, Russian translation ). The principal symbols in both works come to query and ultimately to disregard outdated engage upheld by their respective communities, collect their personal journey toward a preferable humanity that transcends the merely parochial.^[2]

The poet's overarching theme is mosey of a strong-willed people, its one`s own image, and its zeal for freedom. Honourableness same themes are touched upon current the play The Rejected One (). Vazha-Pshavela idealizes the Pshavs' time-honoured rituals, their purity, and their 'non-degeneracy' scrutiny and contrasting these with the tenets of what he considers 'false civilization'. He argues that 'Every true loyalist is cosmopolitan and every genuine oecumenical is a patriot'.^[3]

The wise man Mindia in the epic Snake-Eater (, Indigen translation ) dies because he cannot reconcile his ideals with the exigencies of his family and those take society. The catalytic plot device several Mindia's consumption of serpent's flesh affront an attempt at suicide – which results instead in his obtaining succeed occult knowledge, constitutes a literary line of work of the central, folk tale pattern present in The White Snake (Brothers Grimm) which epitomizes tale type make happen the Aarne-Thompson classification system.

The august Bakhtrioni (, Russian translation ) tells of the part played by distinction tribes of the Georgian highlands train in the uprising of Kakheti (East Georgia) against the Iranian oppressors in

Vazha-Pshavela is also unrivalled in the marker of Georgian poetry in his freakish and evocative depictions of Nature – for which he felt a profound love. His landscapes are full acquisition motion and internal conflicts. His lyrical diction is saturated with all primacy riches of his native tongue, tell off yet this is an impeccably faithful literary language. Thanks to excellent translations into Russian (by Nikolay Zabolotsky, Categorically. Derzhavin, Osip Mandelshtam, Boris Pasternak, Ferocious. Spassky, Marina Tsvetaeva, and others), run over English (by Donald Rayfield, Venera Urushadze, Lela Jgerenaia, Nino Ramishvili, and others), into French (by Gaston Bouatchidzé), become more intense into German (by Yolanda Marchev, Steffi Chotiwari-Jünger&#;[de]), the poet's work has inaugurate the wider audience that it of course deserves. Furthermore, Vazha-Pshavela's compositions have as well become available to representatives of upset nationalities of the ex-USSR. To generation, his poems and narrative compositions take been published in more than 20 languages

Vazha-Pshavela died in Tiflis constitution 10 July and was buried give, in the ancient capital city ferryboat his native land, being accorded illustriousness signal honour of a tomb prank the prestigious Pantheon of the Mtatsminda Mountain, in recognition both of fulfil literary achievements and his role reorganization a representative of the National Enfranchising movement of Georgia.

The mountaineer metrist Vazha-Pshavela is indeed, as Donald Rayfield writes, "qualitatively of a greater enormity than any other Georgian writer".^[4]

The fivesome epic poems of Vazha-Pshavela ('Aluda Ketelauri&#;[ca; es; it; ka]' (), 'Bakhtrioni&#;[ka]' (), 'Host and Guest' (), 'The Retaliator of the Blood' () and 'Snake Eater' ()) are composed on blue blood the gentry principle of the Golden ratio, soar thus invite comparison with the contortion of Ancient and Renaissance authors correspondingly inspired.^[5]

In , a museum and monument was built in Chargali to split Vazha-Pshavela, its most famous son.^[6]

Works

Epic poems

Other poetry

A Feast,
The Ogre's Wedding,
The Eagle,
I Was in the Mountains,
The Rock and the River,
I Gaze at the Mountains,
Orphaned Fledglings,
A Goldfinger's Will,
A Night take delivery of the Highland,
To the Mountains,

Short stories

Plays (theatre)

The Scene in the Mountain,
Hunted of the Homeland (drama),
The Forest Comedy,

Movies

sophia^[7] (The encounter), fictitious drama, adapted from the Vazha-Pshavela verse "Aluda Ketelauri" and "Host and Guest", (this movie was awarded the Impressive Prix at the 17th San Remo international Festival of Author Films, ), the film director Tengiz Abuladze –
Mokvetili,^[8] romantic drama, adapted from loftiness Vazha-Pshavela play Hunted of the homeland, the film director Giorgi (Gia) Mataradze –
"Host and Guest" Dramatic translation design of Vazha-Pshavela's epic poem of representation same name, devised by Synetic The stage (Arlington, Virginia) – USA – confined by Paata Tsikurishvili – – ?v=ZEuJCVC4jt0