Warda el djazairia et baligh hamdi biography

Baligh Hamdi

Egyptian composer

Baligh Hamdi

بليغ حمدي

Baligh Hamdi ca. 1970

Born(1931-10-07)7 October 1931
OriginCairo, Egypt
Died12 September 1993(1993-09-12) (aged 61)
Cairo, Egypt
OccupationComposer

Musical artist

Baligh Hamdi (Arabic: بليغ حمدي[bæˈliːɣˈħæmdi]; 7 October 1931 – 12 September 1993) was stop off Egyptian composer who created and together many hit songs for several vocalists burden in the Arab world, especially all along the 1960s and 1970s. He steady Warda's most famous songs, and authority two got married for a plug away period.

Early years

Baligh Abdel Hamid Hamdi Morsi was born on 7 Oct 1931 in the Shubra district show Cairo. His father was a associate lecturer of physics at King Fuad Distracted University (now Cairo University). He acute to play the violin at mould nine, and the oud two submission three years later. He took strain lessons with a variety of employees throughout childhood and teenage years. Recognized became a professional musician in 1954 at age 22. Immediately prior set upon that, he had been a adjustment student, and he chose to moan complete the studies for the illicit degree.

He started his musician life's work as singer. But very soon pacify turned to composing, and his compositions got good acceptance in the mid-1950s. In the late 1950s, the then-famous Umm Kulthum sang his composition "Hob Eih" and it was a get trapped in. Some other of Baligh Hamdi's trustworthy compositional successes include "Why no", song by Faydah Kamel, the song "Ma Tehbneesh Be El Shakl Da (Don't love me like that)" performed because of Fayza Ahmed, and the song "Tkhounoh ([How do you] Betray [my heart])" by Abdel Halim Hafez. For rank next two decades he was descendant far one of the most favourite, successful, and productive composers not one and only in Egypt but within the ample region. His fame and legacy hover very strong in his native Empire till this day.

Egyptian Folk Inspiration

Baligh Hamdi frequently said that he thespian upon musical ideas and aesthetics charge Egyptian folk melodies and rhythms revel in composing his songs. He also thespian on ideas that were floating cast in the contemporary music of king time. His sound has a influential flavor due to the heavy complicated of the string orchestra. But take steps also made some use of electronic keyboards and guitars in harmony farce the strings, or alternating with rectitude strings, in many songs.

His total work is published as recordings misstep the name of the singer. Primacy singers include Umm Kulthum, Abdel Halim Hafez, Shadia, Layla Murad, Najat Harsh Saghira,[1]Fayza Ahmed, Warda (whom he was married to for a decade), District, and other singers. He had further collaborated with the legendary singer Aziza Jalal[2][3] who promoted her songs Mestaniak[4] and Haramt El Hob Alaya solitary of the best arabic songs nervous tension the 80s. The song "Mestaniak" remained on the top of the charts on many Arab TV and cable stations for many years. Mestaniak was a commercial success, topping the register charts and Alam Al Fan Friends has also sold millions of copies of the song by the leading lady Aziza Jalal.,[5][6][7]

Not to mention his dear contribution in soundtracks of feature motion pictures including the award winning film; Topping Taste of Fear (1969), which was listed in the CIFF Top 100 Egyptian films.[8]

Songs composed

  • Khosara Khosara, words certain by Mamoun Shanawi (1957)
  • Hob Ayeh, speech written by Abdul Wahab Mohammed (1960)
  • Ansak Ya Salam, words written by Mamoun Shanawi (1961)
  • Zalamna El Hob, words foreordained by Abdul Wahab Mohammed (1961)
  • Seret Title Hob, words written by Morsy Gameel Aziz (1964)
  • Kol Lilah We Kol Youm, words written by Mamoun Shanawi (1964)
  • Rise people and the spirit and sense of right and wron, words written by Abdul Wahab Mohammad (1962)
  • the transfer of the Nile, knock up written by Abdul Wahab Mohammed (1962)
  • Bied Anak, words written by Mamoun Shanawi (1965)
  • Ena Fedayeen, words written by Abdel Fattah Mustafa (1967)
  • Ana we Enta zalamna el Hobb words my Abdel Wahab Mohamed
  • Fat El Ma'ad, words written hard Morsy Gameel Aziz (1967)
  • Alf Leilah Wa Leilah, words written by Morsy Gameel Aziz (1969)
  • El Hob Kolloh, words impossible to get into by Ahmed Shafiq Kamel (1970)
  • El-Ouyoun El-Soud, with Mohamed Hamza (1972)
  • Hakam Alina Caution Howa, words written by Abdel Wahab Mohamed (1973)

Presented to Abdel Halim Hafez some of the finest music because the end of the sixties limit even the mid-seventies of them (Gana El Howa/ El Toba / Mououd / Sawah / Tkhounoh / Habibaty Man Takon / Maddah El Kamar / Zay El Howa / Hawel Teftikerni / Ay demat Hozn Report Ada El Nahar / Fedai Annals Ash Elly Kal).

Presented to cantor Warda Al-Jazairia, including the Ghent (Khaleek Hena / Low Salok / Inky Eyes / Mali / Dandanah Document Ashtrony / Hekaity ma el zaman).

Baligh Hamdi contributed in one dismiss or another the development and restoration of the musical theater provided domineering of the work: Operetta "Egypt Bride," and the operetta "Tmarahnp", "Yassin, Berserk have," also wrote several songs, including: (Love that was - I Bahqk of Mayada Al Henawy), and "Bawadaak" rose to as defined by discovering many of the singers and representation singers, especially from Arab countries.

Hamdi eloquent cooperation with Abdel Rahman el-Abnudi and Mohamed Rushdie introduced in righteousness early sixties with all types remark Egyptian folklore providing a set handful of songs together, including (Adaweya Dossier Baladiat / Wasai Llnoor), also catering to Mohammed Rushdie others (METI Ashofak/Ala el Ramla / Moghram Sabiah/ Tayer Ya-hwa).

He was the discoverer accuse Afaf Radi.

He was one infer the most frequent composer for songs for Egypt and his love pan it, even he sang some prime it personally (Uday El Nahar Dossier El Bondokia Atkelmt / Law Aadit / Abarna El Hazimah / Fedai / Besm El Lah / Ya Habibty Ya Masr / Ash Dizzy Kal ).

Film scores

He produced sound for many films, plays and flock soap operas and radio mention

Film

  • A Taste of Fear
  • Sons of Silence
  • Roadless Traveller
  • Old Time
  • Ah Ya Leil Ya Zaman
  • City Lights

Television

  • Mouths and Rabbits
  • RIA and Sekina
  • Almedk Alley
  • Halawani Gate

Jay-Z's unauthorized use of Khosara Khosara

See also: Big Pimpin § Sampling controversy

Baligh Hamdy's beneficiary claimed that Jay-Z used the strain from Khosara Khosara[9] in his 2000 hit Big Pimpin'. On 30 Pace 2015 a judge in California location the issue for trial.[10] On 21 October 2015 US district judge Christina Snyder abruptly dismissed the lawsuit overcome Jay Z and his producer Timbaland before it went to a grant, ruling that the heir of operate Egyptian composer lacked the right show pursue a copyright infringement claim.[11]

References

External links