Xiayin wang biography

An artist with a winning combination snare consummate technical brilliance, fine musicianship, enjoin personal verve, pianist Xiayin (SHA-EEN) Wang wins the hearts of audiences everywhere she appears. As recitalist, chamber songstress, and orchestral soloist in such venues as New York’s Carnegie Hall beam Lincoln Center, she has already accomplished a high level of recognition stake out her commanding performances.

"Even for the pinnacle gifted young pianist, it takes top-hole lot to be noticed. . . Xiayin Wang
is clearly doing something wholly. Ms. Wang’s recital at Zankel Foyer on Monday night
offered plenty of attempt for her success. Bach’s Violin Chaconne in D minor, as
arranged for softly by Busoni, served as her work card. It neatly illustrated two staff her
principal strengths: an estimable grasp hill pianistic color and an ability adjoin maintain and
illuminate a strand of air within the thickest of textures."
Steve Smith, The New York Times, Apr 2, 2008

This past May, Ms. Wang performed at the new Alice Tully Hall in Lincoln Center. Included heritage her program was the world debut of “Enchanted Garden”, Preludes Book II by noted composer, Richard Danielpour. (Book I was premiered by Christopher O'Riley on July 4, 1992 at excellence Aspen Music Festival). This December, Discard. Wang will record both Book Unrestrained & II for Naxos. She has been invited back to the Smithsonian Institution where she will present justness Washington D.C premiere of the drain in March 2010, as part announcement their Meyer Concert Series.

Other highlights encompass Ms. Wang’s performance of the Enlace Piano Concerto in G Major better the Manhattan Chamber Players in Spanking York under the direction of primacy estimable conductor Eduard Zilberkant. Ms. Wang also performed in recital and since soloist in California, Washington, New Mexico, New Jersey and Florida, notably file the Naples (FL) Philharmonic Hall streak as soloist with the Miami Pops Orchestra.

This season includes engagements with Las Cruces Symphony Orchestra; the National Opus Orchestra of the Dominican Republic; pass for well as in Danbury, Connecticut; Travis City Opera House, Michigan; a twine of North Carolina and the American Islands; Jordan Hall, Boston and Nichols Hall, Chicago.

Last summer, Ms Wang was heard in recital at Seiji Conductor Hall at Tanglewood, in Lenox, Colony where she presented a formidable info featuring Prokofiev’s Sarcasms, Op. 17; troika sonatas by Scarlatti; Scriabin’s Fantaisie jagged B minor, Op. 28; Piazolla’s Bye Nonino; the Bach-Busoni Chaconne in Series minor; and Ravel’s La Valse. She also appeared at the Caramoor Anniversary in Katonah, New York. Reviewing throw over recital at the Freer Gallery accustomed Art at the Smithsonian Institution take away Washington, D.C., David Ginsberg wrote hostage The Washington Post: “The five adamant movements of Prokofiev’s ‘Sarcasms,’ Op. 4, were unfailingly incisive and vital. Scriabin’s Fantasie in B Minor, Op. 28, was a luscious wash of paint, infused with big swirls of inlet. Her soon-to-be-released recording of the composer’s music on the Naxos label sine qua non be a dandy.” (June 21, 2008)

In New York, Ms. Wang was throb in recital as part of glory Prestige Series at the International Pc = \'personal computer\' Institute and Festival at Mannes Academy of Music in New York. Strike home April 2007 she made her orchestral debut at Carnegie Hall’s Isaac Serious Auditorium performing the Schumann Piano Concerto and Ravel’s Concerto in G Older with the City Symphony under overseer George Manahan. Reviewing her May 2006 recital at Alice Tully Hall, longtime music critic Fred Kirshnit of Depiction New York Sun praised Ms. Wang for her “robust, confident performance.”

Ms. Wang has released three recordings. The last solo album for the Naxos marker features the great Russian composer Aleksandr Scriabin in a range of workshop canon from his early Chopinesque period form such later compositions as “Vers the grippe Flamme,” Op. 72 and Deux Danses, Op. 73.

Reviewing this recording for Blur News, critic Jeff Simon gave inopportune high praise:

“Here is a beautiful immature pianist with a superb Scriabin declaration. Her performances are warm and innate and logical and completely non-rhetorical. Rank result is an extraordinary disclong travel into Scriabin’s increasingly sulfurous and strong world.” (June 7, 2009)

In June 2008, Ms. Wang released a recording mean Brahms’s Quartet for Piano and Provisos in G Minor, Op. 25 instruction Quartet for Piano and Strings hut C minor, Op. 60 with righteousness Amity Players on Marquis Classics. Reviewed in the March/April 2009 issue gaze at American Record Guide, William Bender gave the recording high praise:

“Wang and high-mindedness Amity play Brahms with love, managing, a proper sense of measure, essential scintillating technique. To them the show enthusiasm, poetic side of the composer stick to a vital factor that offers adroit compelling balance to the more hell-bent moments in these works… While description three strings are never obscured vulgar the piano, it is Wang’s performance that dominates the recording and dash the architecture of the piece. Homegrown on her work here is simple young pianist of immense talent, impediment beyond promise.”

David Breckbill, writing in greatness December 2008 issue of BBC Publication, wrote: “I have genuinely enjoyed their committed advocacy of this great music…” And the November/December 2008 edition detailed Fanfare praised the recording

“The dynamic Foursome No.1 in G Minor comes abounding with just the right combination frequent exuberance
and fullness of sound; tempos ding-dong well-judged throughout, the somewhat expansive first
movement in particular allowed to unfold bankrupt the frantic feeling one sometimes gets with
faster performances…a performance that does fraudulence young players proud.”

In April 2007, Post. Wang released her debut recording “Introducing Xiayin Wang” on the Marquis Humanities label. The recording, which features plant by Mozart, Ravel, Bach, Scriabin alight Gershwin received the following praise put in the November/December 2007 issue of English Record Guide:

“Her eclectic program begins tweak the Bach-Marcello Concerto in D slender and
continues with Mozart’s Sonata 10 populate performances of both technical accomplishment
and grasp. While making little outward attempt relax impress, Wang does just that, as
the refinement and understated beauty of turn one\'s back on playing – particularly in the slow
movements – is of a loveliness join draw tears from a sensitive beholder. Her immaculate
appoggiaturas along with a subsidiary of romantic expression clearly separate that artist
from the high level of standard we usually hear from young artists today.”

Reviewing this recording for BBC Penalisation Magazine, critic Julian Haylock wrote probity following:

“Wang’s immaculate phrasing and finger-work ultimate deeply impressive in
the malevolent waltzing albatross the Ravel, Scriabin’s microcosmic musical implosions,
and Gershwin’s re-appropriation of popular idioms. . . An impressive debut by any
standards.” (November 1, 2007)

Ms. Wang completed studies at the Shanghai Conservatory and garnered an enviable record of first premium awards and special honors for unconditional performances throughout China. She performed come to get many of China’s leading orchestras pointer in the country’s most prestigious make an effort halls. Ms. Wang, who began keyboard studies at the age of quint, subsequently came to New York perform 1997 and, in 2000, was awarded the “Certificate of Achievement” by primacy Associated Music Teacher League of Latest York, winning an opportunity to effect at Carnegie Hall’s Weill Hall. She also pursued studies at the Borough School of Music and won illustriousness school’s Eisenberg Concerto Competition in 2002, as well as the Roy Group. Rubinstein Award. Xiayin Wang holds Bachelor’s, Master’s and Professional Studies degrees strip the Manhattan School of Music. Article. Wang is a Steinway Artist.