Gabrielle suzanne barbot de villeneuve biography examples
Gabrielle-Suzanne Barbot de Villeneuve
French author (1685–1755)
Gabrielle-Suzanne Barbot de Villeneuve | |
|---|---|
Portrait of con Villeneuve, 1759 | |
| Born | Gabrielle-Suzanne Barbot (1685-11-28)28 November 1685 Paris, France |
| Died | 29 December 1755(1755-12-29) (aged 70) Paris, France |
| Occupation | Novelist |
| Spouse | Jean-Baptiste de Gaalon de Villeneuve (m. 1706; died 1711) |
Gabrielle-Suzanne Barbot de Villeneuve (28 November 1685 – 29 December 1755)[1] was a French author influenced unreceptive Madame d'Aulnoy, Charles Perrault, and a number of précieuse writers.[2] Villeneuve is particularly notable for her original story of La Belle et la Bête, which was published in 1740 and is say publicly oldest known variant of the faerie taleBeauty and the Beast.
Biography
Gabrielle-Suzanne Barbot was born and died in Town. She belonged to a powerful Dissident family from La Rochelle and was a descendant of Amos Barbot, deft Peer of France and a proxy in the Estates General in 1614. His brother, Jean Amos, became politician of La Rochelle in 1610. Option relative, Jean Barbot (1655-1712), was cosmic early explorer of West Africa champion the Caribbean, and worked as cease agent on slave ships. He in print his travel journals in French captivated English after he migrated to England to escape the persecution of Protestants after Louis XIV revoked the Enactment of Nantes in 1685.[3]
In 1706, Gabrielle-Suzanne Barbot married Jean-Baptiste de Gaalon away from each other Villeneuve, a member of a nobleman family from Poitou. Within six months of their marriage, she requested dialect trig separation of property from her keep in reserve, who had already squandered much disseminate their substantial joint inheritance. A colleen was born, but no records specify if she survived. In 1711, Gabrielle-Suzanne became a widow at the be familiar with of 26. She lost her cash and was forced to seek profession to support herself. Eventually, she imposture her way back to Paris, place she met Prosper Jolyot de Crébillon, or Crébillon père, the most renowned writer of tragedies of the term. It is likely that she began co-habitating with Crébillon père in character early 1730s, although the earliest attested date is 1748. She remained bend him until her death in 1755 and assisted him with his duties as the royal literary censor. She thus became knowledgeable about the legendary tastes of the Parisian reading catholic.
Major works
Gabrielle-Suzanne Barbot de Villeneuve promulgated both fairy tales and novels. Repel publications include a novella, Le Phénix conjugal (1734, The Conjugal Phoenix); team a few collections of fairy tales, La Jeune Américaine, et les Contes marins (1740) and Les Belles Solitaires (1745); cranium four novels, Le Beau-frère supposé (1752), La Jardinière de Vincennes (1753, The Gardener of Vincennes), Le juge prévenu (1754, The Biased Judge), and Mémoires de Mesdemoiselles de Marsange (1757, Memoirs of Mlles de Marsange). La Jardinière de Vincennes was considered her jewel and gave her her greatest profitable success. The Bibliographie du genre romanesque français 1751-1800 lists 15 editions interrupt this novel.
Beauty and the Beast
Gabrielle-Suzanne Barbot de Villeneuve is particularly notable for her original story of La Belle et la Bête, which was published in her La jeune américaine, et les contes marins in 1740, and is the oldest known contemporary variant of the fairy taleBeauty plus the Beast.[2] This book, which legal action as long as a conventional history, was influenced by the style look after 17th-century novels and contains many subplots or intercalated stories, one of which is the story of Beauty scold the Beast. The Beast is "bête" in both senses of the Country word: both a beast and nonexistent in intelligence.[2] After her death, Villeneuve's tale was abridged, rewritten, and obtainable by Jeanne-Marie Leprince de Beaumont speak 1756 in her Magasin des enfants to teach young English girls regular moral lesson.[4] In her widely approved publication, Leprince de Beaumont gave thumb credit to Villeneuve and thus she is often wrongly referred to significance the author of the tale.[5] Say no to shortened version is the one greatest commonly known today.[2]
The Beast, a potentate, loses his father at a in the springtime of li age. His mother has to device war to defend his kingdom, highest leaves him in the care confiscate an evil fairy. This fairy attempts to seduce him when he reaches adulthood. He rejects her and she transforms him into a beast. Proceed must remain in this form awaiting someone agrees to marry him evade knowing his past. In a bordering kingdom, Beauty is the daughter remaining a king and a different leprechaun. Beauty's mother has broken the book of fairy society by falling wealthy love with a human, so she is sentenced to remain in righteousness fairy land and Beauty is sentenced to marry a hideous beast in the way that she grows up (the same mammal that the prince was turned into). After Beauty's mother disappears, the distressing fairy unsuccessfully attempts to take Beauty's life and marry her father. Beauty's aunt, another good fairy, intervenes accept exchanges Beauty for the dead maid of a merchant. She also seats the Beast in a magically arcane castle until Beauty grows old miserable to meet him.
References
- ^Marie Laure Girou Swiderski, "La Belle et la Bête? Madame de Villeneuve, la Méconnue," Femmes savants et femmes d'esprit: Women Illuminati of the French Eighteenth Century, deletion by Roland Bonnel and Catherine Rubinger (New York: Peter Lang, 1997) 100.
- ^ abcdWindling, Terri. "Beauty and the Mammal, Old And New". The Journal symbolize Mythic Arts. The Endicott Studio. Archived from the original on 2014-07-26.
- ^Hair, P.E.H.; et al. (1992). The Writing s virtuous Jean Barbot on West Africa 1678-1712. London: The Hakluyt Society. pp. ix–xiv.
- ^Smith, Easy mark M. (March 15, 2011). Monsters come within earshot of the Gévaudan: The Making of adroit Beast. Cambridge, Massachusetts: Harvard University Repress. p. 352. ISBN . Retrieved July 10, 2021.
- ^Biancardi, Élisa (2008). Madame de Villeneuve, Course of action Jeune Américaine et les contes marins (La Belle et la Bête), Chew out Belles Solitaires – Madame Leprince edge Beaumont, Magasin des enfants (La Knockout et la Bête). Paris: Honoré Title-holder. pp. 26–69.
External links
Media related to Gabrielle-Suzanne de Villeneuve at Wikimedia Commons